David Friedemann Strunck has been principal oboist of Oslo Philharmonic Orchestra since 2004. He previously held the equivalent position in Bochum Symphony Orchestra. He studied at the music academies in Detmold and Stuttgart with Gernot Schmalfuß and Ingo Goritzki, and sponsors such as The German National Academic Foundation and The Westphalian Economic Foundation awarded him scholarships. In 1999, he received awards at the woodwind competitions in Mannheim and Bayreuth, and in 2002, he won the first prize with his Cambini Wind Quintet at the Mendelssohn-Bartholdy Competition in Berlin. He has performed as soloist with Oslo Philharmonic Orchestra, Bochum Symphony Orchestra, the Norwegian Chamber Orchestra, the Trondheim Soloists, Folkwang Chamber Orchestra, and the Cologne Sinfonietta. He has appeared as soloist and chamber musician at the chamber music festivals in Risør, Trondheim and Oslo, as well as at Bergen International Festival, Nordland Music Festival in Bodø, and at the Gloger Festival in Kongsberg. He teaches at the Barratt Due Music Institute in Oslo. Since 2009, he has been the artistic director of Oslo Kammerakademi. The ensemble plays frequently at prestigious festivals both abroad and in Norway, and it runs its own concert series at the Norwegian Opera and Ballet. The releases of Oslo Kammerakademi on LAWO Classics, "Beethoven for Wind Octet" (LWC1036), "Leipzig!" (LWC1058), and "the first beauty" (LWC1093), have received overwhelming reviews.

On 27 September 1919, a new orchestra took to the stage of the old Logan Hall in Oslo to give its first public concert. Conductor Georg Schnéevoigt presided over thrilling performances of Edvard Grieg’s Piano Concerto and Christian Sinding’s First Symphony. After forty years of making-do, the Norwegian capital had at last got the orchestra it deserved. The Oslo Philharmonic was born. In the eight months that followed, the Oslo Philharmonic gave 135 concerts, most of which sold out. It tackled passionate Mahler, glistening Debussy and thrusting Nielsen. Soon, world famous musicians were coming to conduct it, relishing its youth and enthusiasm. Igor Stravinsky and Maurice Ravel visited Oslo to coach the musicians through brand new music. National broadcaster NRK began to hang microphones at the orchestra’s concerts, transmitting them to the whole of Norway.
Over the next half-century, the Oslo Philharmonic’s reputation grew steadily. Then, in 1979, it changed forever. A young Latvian arrived in Norway, taking the orchestra apart section-by-section, putting it back together a finely tuned machine with a whole new attitude. Under Mariss Jansons, the orchestra became a rival to the great Philharmonics of Vienna, Berlin and New York. It was soon playing everywhere, from Seattle to Salzburg, Lisbon to London. Back home in Oslo, it got a modern, permanent concert hall of its own. In 1986, EMI drew up the largest orchestral contract in its history, ensuring the world would hear the rich, visceral sound of the Oslo Philharmonic.
Three decades after that, the world is still listening. The Oslo Philharmonic retains its spirit of discovery and its reputation for finesse. Under Jukka-Pekka Saraste it cultivated even more the weight and depth that Jansons had instilled; under Chief Conductor Vasily Petrenko, it works at the highest levels of detail and style. Still the orchestra travels the globe, but it has never felt more at home. Its subscription season in Oslo features the best musicians in the business. Outdoor concerts attract tens of thousands; education and outreach programmes connect the orchestra with many hundreds more. In 2019/2020 the thriving city of Oslo will celebrate 100 years of the Oslo Philharmonic, the first-class orchestra it still deserves.

Arvid Engegård was born in Bodø, Norway, in 1963. At age eleven he led his first string quartet in concerts throughout Norway. After receiving a degree in violin from Trondheim Conservatory of Music at age sixteen, he continued his studies at Eastman School of Music in Rochester, New York. He later studied with Sándor Végh in Salzburg, Austria, and was invited to lead Camerata Academica, a position he held for eight years. In 1991 Engegård was asked to lead the Orlando Quartet in Amsterdam.
As violinist and chamber musician, Engegård has performed at many of Europe’s most prestigious festivals, including the Lockenhaus Chamber Music Festival, the Salzburg Festival, Musiktage Mondsee, and the Mozarteum Foundation’s Mozart Week. Engegård’s career as conductor has steadily advanced since 1999, working with orchestras in Norway and abroad. He has previously released two recordings as conductor on the LAWO Classics label: "W.A. Mozart" (LWC1071) – a recording of Concertos K. 299 and K. 297B – with the Oslo Philharmonic, and "Mozart, Hvoslef Sæverud" (LWC1100) with oboist David Friedemann Strunck and the Oslo Philharmonic. In 2015 he released "Duo Brilliante" (LWC1080) as violinist, with double bassist Knut Erik Sundquist and the Norwegian Radio Orchestra.
Arvid Engegård is artistic director of the Lofoten International Chamber Music Festival. In 2000 he received the 'Nordlys Prize' at the Northern Lights Festival in Tromsø, Norway. In 2006 he founded the Engegård Quartet, which performs throughout Europe and is one of Scandinavia’s most soughtafter chamber music ensembles.

Elise Båtnes began playing the violin at age four and debuted as soloist with Trondheim Symphony Orchestra four years later. As first concertmaster of Oslo Philharmonic Orchestra, she appears as soloist with leading orchestras and conductors around the world. She has five earlier recordings on the LAWO Classics label.